Instrumental gospel

Way Maker [easy] At a Glance Arrangement Details Song Details Related Products Reviews Way Maker [easy] digital sheet music. Contains printable sheet music plus an interactive, downloadable digital sheet music file. Contains complete lyrics Available at a discount in the digital sheet music collection: Collection: Easy Praise & Worship Favorites Volume 2 Title: Way Maker [easy] By: Jennifer Eklund Instrument: Piano Scorings: Instrumental Solo Piano/Vocal Original Published Key: C Major Product Type: Musicnotes Product #: MN0209131 Price: $5.79 Includes 1 print + interactive copy with lifetime access in our free apps. Each additional print is $3.99 Number of Pages: 5 Lyrics Begin: You are here, moving in our midst. Arrangement Details gives you detailed information about this particular arrangement of Way Maker [easy] - not necessarily the song. Not the arrangement you were looking for? View All Arrangements By: Jennifer Eklund Additional Performers: Sinach Leeland Arranger: Jennifer Eklund Number of Pages: 5 Form: Solo Instrument: Piano Scorings: Instrumental Solo Piano/Vocal Original Published Key: C Major Product Type: Musicnotes Product #: MN0209131 Tempo: Moderately Metronome: q = 72 Genres: Gospel CCM Solo Instrumental Christian Nigerian Religious Contemporary Gospel Song Details gives you detailed information about this song, Way Maker [easy] There are no reviews written for Way Maker [easy]. Explore more music!

Be a powerful force for good in the world. It has played a crucial role in addressing social issues, such as racial injustice, poverty, and inequality. Through its message of hope and resilience, gospel music has provided solace and inspiration to countless individuals during challenging times. Additionally, the genre has been instrumental in empowering communities and fostering a sense of unity and belonging.Relevant URL Sources:Gospel Music: How It Got Here and Where It’s GoingGospel Music: A Journey of Faith, Hope, and InspirationFAQQ1: What are the main characteristics of gospel music?A1: Gospel music is characterized by its strong vocals, passionate lyrics, and focus on religious themes. It often incorporates elements of African-American spirituals, blues, and jazz.Q2: How did gospel music originate?A2: Gospel music originated in the 19th century within African-American churches. It emerged from the spirituals sung by enslaved people and their descendants and was influenced by various musical styles, including blues, jazz, and traditional hymns.Q3: What are the different styles of gospel music?A3: There are four main styles of gospel music: traditional gospel, contemporary gospel, quartet gospel, and urban contemporary gospel. Each style has its own unique characteristics and musical influences.Q4: What role did gospel music play in the Civil Rights Movement?A4: Gospel music played a significant role in the Civil Rights Movement. It served as a source of inspiration and unity for African Americans during the struggle for equal rights. Gospel songs were often used to convey messages of hope and resilience and to mobilize people to action.Q5: Who

Log in Password Lost? Sign Up Help Download it, sing it. Your No.1 source for MP3 instrumental tracks Custom Backing Track Vocal Backing Track CDG Video Karaoke Custom Karaoke Guitar Drums Bass Piano Advanced Search Your shopping cart is empty. Karaoke Version Vocal Backing Track All catalog Pop Vocal Backing Track MP3 - Pop - 23965 instrumentals available Filter All catalog All years Since 2020 From 2010 to 2019 From 2000 to 2009 From 1990 to 1999 From 1980 to 1989 From 1970 to 1979 From 1960 to 1969 From 1950 to 1959 Before 1950 All languages In English In French In Dutch In Spanish In Italian In German Instrumental In Portuguese In Arabic In Polish In Finnish More... All genres Afro-Caribbean Alternative Blues Celtic Children's Music Christian Music Christmas Classical Music Comedy Country Dance Disco Electro Film & TV Soundtracks Folk French Pop Music Funk Gospel Hard Rock & Metal Jazz Latin Music Love Songs Middle East Musette Musicals & Broadway Pop Punk R&B Rap & Hip-Hop Reggae Rock Rock & Roll Schlager Ska Soft Rock Soul Synthpop Teen Pop Traditional music World Music More... Duet Live Medley All singers Male Female All keys Major scales D♭ E♭ F♯ A♭ B♭ C D E F G A B Minor scales C♯m D♯m F♯m G♯m B♭m Cm Dm Em Fm Gm Am Bm All BPM Less than 80 BPM From 80 to 100 BPM From 100 to 120 BPM From 120 to 130 BPM More than 130 BPM From To Pop Die with a SmileLady Gaga2024& Bruno Mars$1.99Die with a Smile made famous by Lady Gaga & Bruno Mars • 2 music tracks in MP3 instrumental version • 3 music tracks with vocals (covers) Vocal Backing Track MP3Pink Pony ClubChappell Roan2020$1.99Pink Pony Club made famous by Chappell Roan • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3APT.Rosé (로제)2024& Bruno Mars$1.99APT. made famous by Rosé (로제) & Bruno Mars • 2 music tracks in MP3 instrumental version • 3 music tracks with vocals (covers) Vocal Backing Track MP3AbracadabraLady Gaga2025$1.99Abracadabra made famous by Lady Gaga • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3The DoorTeddy Swims2023$1.99The Door made famous by Teddy Swims • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3EspressoSabrina Carpenter2024$1.99Espresso made famous by Sabrina Carpenter • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3BIRDS OF A FEATHERBillie Eilish2024$1.99BIRDS OF A FEATHER made famous by Billie Eilish • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3That's So TrueGracie Abrams2024$1.99That's So True made famous by Gracie Abrams • 2 music tracks in MP3 instrumental version • 1 music track with vocals (cover) Vocal Backing Track MP3LiarJelly Roll2024$1.99Liar made famous by Jelly Roll • 2 music tracks in MP3 instrumental version • 1

To prevent their being offended at his sufferings. He was now a prisoner at Rome; this might be a stumbling-block to those who had received the gospel by his ministry. They might be tempted to think, If this doctrine were indeed of God, God would not suffer one who was so active and instrumental in preaching and propagating it to be thrown by as a despised broken vessel. They might be shy of owning this doctrine, lest they should be involved in the same trouble themselves. Now to take off the offence of the cross, he expounds this dark and hard chapter of his sufferings, and makes it very easy and intelligible, and reconcilable to the wisdom and goodness of God who employed him. I. He suffered by the sworn enemies of the gospel, who laid him in prison, and aimed at taking away his life; but they should not be stumbled at this, for good was brought out of it, and it tended to the furtherance of the gospel (v. 12): The things which happened unto me have fallen out rather unto the furtherance of the gospel. A strange chemistry of Providence this, to extract so great a good as the enlargement of the gospel out of so great an evil as the confinement of the apostle. "I suffer trouble as an evil-doer, even unto bonds; but the word of God is not bound, 2 Tim 2 9. They cannot imprison the word of God; that has its free course, though I am confined." But how was this? 1. It alarmed those who were without (v. 13): "My bonds in Christ, or for Christ, are manifest in all the palace and in all other places. The emperor, the courtiers, the magistrates, are convinced that I do not suffer as an evil-doer, but as an honest man, with a good conscience. They know that I suffer for Christ, and not for any wickedness." Observe, (1.) Paul's sufferings made him known at court, where perhaps he would never have otherwise been known; and this might lead some of them to enquire

Of Alpheus, likely preached the gospel in Egypt, where he was eventually crucified or beaten with a fuller’s club.The Apostle Bartholomew’s DeathBartholomew’s death is one of the most shocking. According to historical records in church history, Bartholomew preached the gospel in the people’s native tongue in India, where he was captured, flayed with a whip, and beheaded.Michelangelo, Public domain, via Wikimedia CommonsThe Apostle Matthew’s DeathHistorical accounts indicate that Matthew was preaching the gospel in Ethiopia and had issues with the local king. He was killed with a halberd, an antique weapon looking like a combination of a battle axe and a spear.The Apostles Jude And Simon, The Zealot DeathAccording to tradition, both apostles traveled to Persia (present-day Iran) to preach the Gospel. They were successful in converting many people to Christianity, which angered the local religious and political authorities. Consequently, they were arrested and ultimately executed for their faith.There are several accounts of how Jude and Simon the Zealot met their deaths. One version states that they were both crucified in Persia. Another suggests that Jude was clubbed to death, while Simon was sawn in half. Yet another account claims that they were both beheaded. Despite the variations in these stories, it is clear that both apostles were martyred for their unwavering commitment to spreading the gospel of Jesus.Matthias Although he wasn’t one of the original twelve, the other apostles chose Matthias to replace Judas Iscariot. Due to varying accounts of his ministry and death, it is unclear where exactly Matthias was preaching, but most sources agree that he was stoned and beheaded.Chart Of Apostle’s DeathHere’s a table listing the 12 original apostles (the 12 disciples of Jesus) of the Bible, along with their respective deaths and some background information.Remember, Judas never became an apostle, but he was one of the original 12 that walked with Jesus.ApostleMethod of DeathLocation of DeathBackground InformationPeterCrucifixion (upside down)RomeOriginally a fisherman, Peter was one of Jesus’ closest disciples and the leader of the early Christian church.AndrewCrucifixion on an X-shaped crossPatrasAndrew, Peter’s brother, was also a fisherman and one of Jesus’ first followers.James the GreaterBeheadingJerusalemThe son of Zebedee, James was part of Jesus’ inner circle and witnessed key events like the Transfiguration.JohnNatural causesEphesusJohn, James’ brother, wrote the Gospel of John, three epistles, and the book of Revelation.PhilipHung by his ankles to die or CrusifiedHeliopolisPhilip was instrumental in spreading Christianity in Asia Minor and Phrygia.BartholomewFlaying and beheadingArmeniaBartholomew

Number of poems by Black American Richard Allen—the founder of the African Methodist Episcopal Church—and his parishioners. The volume contained no music, however, leaving the congregation to sing the texts to well-known hymn tunes. After the Civil War Black hymnals began to include music, but most of the arrangements employed the rhythmically and melodically straightforward, unembellished style of white hymnody. In the last decade of the 19th century, Black hymnody experienced a stylistic shift. Colourful and allusive texts, reminiscent in many respects of the older Black spirituals, were set to melodies composed by white hymnodists. The arrangements, however, were adjusted to reflect Black American musical sensibilities. Most significantly, the hymns were syncopated—that is, they were recast rhythmically by accentuating normally weak beats. Among the first hymnals to use this modified musical style was The Harp of Zion, published in 1893 and readily adopted by many Black congregations. The immediate impetus for the development of this new, energetic, and distinctly Black gospel music seems to have been the rise of Pentecostal churches at the end of the 19th century. Pentecostal shouting is related to speaking in tongues and to circle dances of African origin. Recordings of Pentecostal preachers’ sermons were immensely popular among Black Americans in the 1920s, and recordings of them along with their choral and instrumental accompaniment and congregational participation persisted, so that ultimately Black gospel reached the white audience as well. The voice of the Black gospel preacher was affected by Black secular performers and vice versa. Taking the scriptural direction “Let everything that breathes praise the Lord” (Psalm 150), Pentecostal churches welcomed tambourines, pianos, organs, banjos, guitars, other stringed instruments, and some brass into their services. Choirs often featured the extremes of female vocal range in call-and-response counterpoint with the preacher’s sermon. Improvised recitative passages, melismatic singing (singing of more than one pitch per syllable), and an extraordinarily expressive delivery also characterize Black gospel music. Among prominent Black gospel music composers and practitioners have been the Rev. C.A. Tindley, composer of “I’ll Overcome Someday,” which may have served as the basis for the anthem of the American civil rights movement, “We Shall Overcome”; Reverend Gary Davis, a wandering preacher and guitar soloist; Thomas A. Dorsey, a prolific and best-selling songwriter whose works included, most notably, “Precious Lord, Take My Hand”; and the Reverend C.L. Franklin of Detroit (father of soul music singer Aretha Franklin), who issued more